160 Tracks
S.O.L.L. Hip No Ties
165
 BPM

Emotive electric guitar tones and drones. 

Curious melodic lines over sizzling synth sounds and aquatic percussion.

Phantasmagoric harmonies with filtered drums and sustained sub bass. 

A sub-bass drone accompanied by strange synthetic bloops and dreamy electric piano motifs.

Cubenx Vuelo
152
108 BPM

Synth wave bass, live electronic drums and dreamy atmospherics. 

Somber strings hover over a bed of atmospheric electronic textures.

Soft ambient textures, drones and familiar melody lines. 

David Barbenel Plateau for One
106
 BPM

A distinctive mandolin refrain over luxurious orchestral layers. 

Bouncing mallet tones shift and collide to soothing effect.  

Happa Howling
144
75 BPM

Hellish drones and groans combined with powerful drums and a smattering of arp. 

Tadd Mullinix Gentle Beam
219
98 BPM

Distant mechanised rhythms combined with ethereal soundscapes. 

Ana Helder Placid
178
 BPM

An atmospheric and abstract piano piece with unusual voice drones. 

Michal Turtle Animal Shoes
103
 BPM

A tropical and naturalistic disco tune complete with tropical birds and ancestral chants.

A busy, quite angular piece of prepared piano with animated moments and a semi-grandiose ending.

Future Beat Alliance Nothing From Anger
167
110 BPM

A cinematic sci-fi bubbler with many edit points and a certain italo feel.

Cloak of Kings Frost
98
120 BPM

Deep chord tones modulate unpredictably over machine-made drums. 

Ominous hums with an impromptu pitter-patter on drum skins. 

Tom Churchill Cumulonimbus
208
90 BPM

Nifty synth patterns infused with luxurious chord pads. 

Sensuous pad sounds form a laid back yet futuristic waltz with unexpected key changes.

A repetitive guitar riff with feedback atmospherics. 

Tom of England Tracks In The Sand
112
 BPM

The heat is sweltering and the main theme appears. 

A steadily pulsating but shape-shifting electronic piece. 

Tom Churchill Monsoon
111
95 BPM

Subterranean atmospherics, distorted drums and a deep plucky bass.

207
134 BPM

A driving, four to the floor stomper with a strong synth lead voice, beautiful flutters and spangling stardust.

S.O.L.L. Snake Mist
160
 BPM

Off-kilter time signatures with galloping percussion sounds. 

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